By Robert Crane, Christopher Fryer
On June 29, 1978, Bob Crane, recognized to Hogan's Heroes lovers as Colonel Hogan, used to be came upon brutally murdered in his Scottsdale, Arizona, condo. His eldest son, Robert Crane, used to be known as to the crime scene. during this poignant memoir, Robert Crane discusses that poor day and the way he has lived with the unsolved homicide of his father. yet this storyline is only one thread in his story of becoming up in la, his struggles to reconcile the great and sordid facets of his megastar father, and his personal interesting life.
Crane started his occupation writing for Oui journal and spent decades interviewing celebrities for Playboy — stars akin to Chevy Chase, Bruce Dern, Joan Rivers, or even Koko the signing gorilla. because of a raucous come across with the forged of Canada's SCTV, he came across himself shelving his notepad and tape recorder to go into the hire of John sweet — first as an on-again, off-again publicist; then as a full-time assistant, confidant, screenwriter, and manufacturer; and eventually as certainly one of Candy's pallbearers.
Through unhappiness, loss, and heartbreak, Crane's humor and perseverance shine. past the large stars and behind-the-scenes revelations, this riveting account of loss of life, survival, and renewal within the shadow of the Hollywood signal makes a profound assertion in regards to the hope for romance and permanence in a lifestyles the place these issues consistently slip away. through turns surprising and uplifting, Crane is an unforgettable and deeply human story.
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Additional info for Crane: Sex, Celebrity, and My Father's Unsolved Murder
And what is extraordinary, if a dozen others crowd into this room, each one will feel the same. Each person who looks at her becomes the only person in her world. It is flattering and, at the same time, maddening, because she gives away nothing of herself. I close my eyes and imagine that she has vanished. 2 THE MYSTERY or MONA LISA that I am pursuing begins in Paris at the end of the Belle Époque, when the city was poised at the cusp of an irreverent new century and an irreverent new art. In the brief avantguerre interlude before trench warfare and unutterable loss, a burst of glorious incandescent energy made the City of Lights electric.
A century later, the mystery lingers, the truth as elusive as the prize. Who stole Mona Lisa? THE VANISHING ACT LOUIS BÉROUD PAINTING IN THE SALON CARRÉ Painter Louis Béroud had been copying Mona Lisa. When he returned to complete his painting on Tuesday, August 22, 1911, he made a startling discovery. S. Mauritania. He carried a Louis Vuitton case. The ship had been delayed for an extra day in quarantine at the mouth of the harbor awaiting clearance. At first light, the Mauritania was released, and like a dowager queen ignoring the minion tugs hauling and chugging, she began a stately glide up the river to a berth on the west bank of Manhattan island.
Here, smiled on by the painted lady he called variously Madame Lisa and the Sphinx of the Occident, Napoleon had married Marie-Therese of Austria to secure an heir and an alliance. After the ceremony, he crossed the gardens to the Tuileries Palace and settled the two women in his bedroom—his new bride and his Madame Lisa. The Louvre owned the richest collection of sixteenth-century masterworks outside of Italy, and many of them were displayed in the Salon Carré—Titian's Entombment of Christ, Rembrandt's Supper at Emmaus, Correggio's Betrothal of St.